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Uptown Trade & Tryon ArtWalk

This is the perfect artwalk to learn a bit about Charlotte without doing too much walking since all of the stops are within a very short distance of the Trade & Tryon intersection.  Sculptures, historic architectural details, Charlotte's very first public art, and even a mural are featured on this artwalk.  Start at the corner with the large gold miner sculpture.  


PARKING:  Available on the surrounding streets at meters, or paid parking in decks or lots

TRANSIT: Gold Line accessible 

Start at the "Commerce" Sculpture

Location:  Intersection of Trade Street and Tryon Street

Artist: Raymond Kaskey

Date: 1994

Media: Bronze

Artist Info: www.kaskeystudio.com


Story: Funded by private community group Queens Table, the “Sculptures on the Square” mark the trading post where Charlotte’s first buildings were erected in the mid-1700s. This crossing of two Native American trading paths marks the center of uptown and is the highest geographical point of the surrounding area.


Key Formal Elements:

  • Freestanding sculptures require the viewer to be engaged
  • Scale - contributes to the viewer experience because the sculptures are both larger than life and raised even higher on a pedestal.


Make the Connection:

The artist celebrates several factors that influenced Charlotte’s growth. Check out the plaque in the ground on the northeast corner for more information. The title of each sculpture is at eye level when you face the buildings. 


In this sculpture, the gold miner pans for gold during the first gold rush in the country of 1799.  The first branch of the US Mint would be established in Charlotte and eventually house the Mint Museum.

Cross Street to "Industry" Sculpture

Location:  Intersection of Trade Street and Tryon Street

Artist: Raymond Kaskey

Date: 1994

Media: Bronze

Artist Info: www.kaskeystudio.com


Story: Funded by private community group Queens Table, the “Sculptures on the Square” mark the trading post where Charlotte’s first buildings were erected in the mid-1700s. This crossing of two Native American trading paths marks the center of uptown and is the highest geographical point of the surrounding area.


Key Formal Elements:

  • Freestanding sculptures require the viewer to be engaged
  • Scale - contributes to the viewer experience because the sculptures are both larger than life and raised even higher on a pedestal.


Make the Connection:

In this sculpture titled "Industry," a female mill worker hides a child laborer in her skirt folds.  Spindles representing the mill work cascade down the front and the figure holds a bobbin in her right hand.  Charlotte and the surrounding region were home to many textile mills which fueled the area's growth.

Walk to 112 South Tryon

Location: 112 South Tryon Street Architectural Frieze

Date: 1927

Media: Sandstone


Story: The First National Bank was built in 1927 and was the second tallest building in North Carolina when it was completed. Noted Charlotte architect Louis Asbury designed the building.


Key Formal Elements:

  • Sculptural type - relief sculpture
  • Notice the repetition of patterns and intricate decoration

Make the Connection:

The artists created a variety of designs for the ornamental carved sandstone. There are figures from nature and some references to classical figures and mythological figures. Three animals are central to the design. Can you find the beehive, the squirrel, and the owl? Can you relate the symbolic meanings of these animals to the original purpose of the building? 

Cross street to "Transportation" sculpture

Location:  Intersection of Trade Street and Tryon Street

Artist: Raymond Kaskey

Date: 1994

Media: Bronze

Artist Info: www.kaskeystudio.com


Story: Funded by private community group Queens Table, the “Sculptures on the Square” mark the trading post where Charlotte’s first buildings were erected in the mid-1700s. This crossing of two Native American trading paths marks the center of uptown and is the highest geographical point of the surrounding area.


Key Formal Elements:

  • Freestanding sculptures require the viewer to be engaged
  • Scale - contributes to the viewer experience because the sculptures are both larger than life and raised even higher on a pedestal.


Make the Connection:

In this sculpture, the railroad worker symbolizes the importance of transportation in the history of Charlotte.  The #1401 is a reference to the Southern Railway route from Greenville, SC to Spencer, NC.  The Eagle symbolizes flight.  

Look behind you at "Il Grande Disco"

Location: Southeast corner of intersection on the Bank of America Plaza

Artist: Arnaldo Pomodoro

Date: 1974

Media: Bronze

Artist Info: www.arnaldopomodoro.it


Story: This is one of the first public art installations in Charlotte. Created by Italian artist Pomodoro, the sculpture speaks to the growth and energy of the city.


Key Formal Elements:

  • Varied texture is used to engage the viewer
  • Bronze made by the casting technique

Make the Connection:

When it was first installed, the sculpture physically rotated on an internal axis.  Later, changes were made to conform to  requirements of the Americans with Disabilities Act. The sculpture is now raised on a platform and includes markers for the visually impaired. It is one of 6 “Il Grande Disco” sculptures installed across the world, from Milan, Italy to Chicago. 

Cross Street to "Future" Sculpture

Location:  Intersection of Trade Street and Tryon Street

Artist: Raymond Kaskey

Date: 1994

Media: Bronze

Artist Info: www.kaskeystudio.com


Story: Funded by private community group Queens Table, the “Sculptures on the Square” mark the trading post where Charlotte’s first buildings were erected in the mid-1700s. This crossing of two Native American trading paths marks the center of uptown and is the highest geographical point of the surrounding area.


Key Formal Elements:

  • Freestanding sculptures require the viewer to be engaged
  • Scale - contributes to the viewer experience because the sculptures are both larger than life and raised even higher on a pedestal.


Make the Connection:

In this sculpture, "Future," a mother holds her child up in the air.  Look closely at the  flowers sculpted along her legs and you will see the dogwood blossom.  The dogwood blossom became the North Carolina state flower in 1941.

Peek or walk inside the BofA lobby

Location: 100 N. Tryon Street in the lobby of the Bank of America Corporate Center

Artist: Ben Long

Date: 1993

Media: Fresco

Artist Info: www.benlongfineart.com


Story: North Carolina native Ben Long was commissioned by then NationsBank to create this work for the bank’s corporate headquarters. It is Long’s first non-religious artwork. Long works in the fresco painting method, which was known to the ancient Romans and prevalent during the Renaissance. Fresco painting involves painting into wet plaster directly onto the wall and is ideal for creating murals. It took Long and his assistant four months to complete these frescos.


Key Formal Elements:

  • Composition - Long’s work is a triptych or 3 separate but related artworks
  • Dynamic sense of space in each panel with strong foreground imagery and either floating imagery above or a second horizon line

Make the Connection:

Much has been written about the content of these artworks. The artist encourages viewers to find their own meanings in each of the panels. The three themes are “making/building,” “chaos/creativity,” and “mind/knowledge”  from left to right.  What features of each panel help to connect viewers to these themes?

Continue on N. Tryon

Location: “Harmony”  in plaza in front of the Blumenthal Performing Arts Center

Artist: Julie Warren Conn

Date: 1996

Media: Polished granite

Artist Info: www.juliewarrenconn.com


Story: Artist Julie Warren Conn studied sculpture at the University of Tennessee. Her artwork is installed in museums and in public and corporate collections throughout the Southeast. The title “Harmony” perhaps refers to the music present in the Performing Arts Center.


Key Formal Elements:

  • Shape - use of negative space creates variety
  • Sculptural type - freestanding, abstract sculpture


Make the Connection:

While the upper part of the sculpture features abstract forms with a small suggestion of a nebulous animal form, the pedestal is different. Here the artist creates more representational images of animals in a relief format. How many animals can you find? 

Walk to corner of E. 5th and Tryon Street

Location: 105 East 5th Street

Artists: Matt Hooker, Matt Moore

Date: 2015

Media: Acrylic paint

Artist Info: @hookermedia, @puckmcgruff


Story: In one of the first murals completed by the duo of Matt Moore and Matt Hooker, this mural explores pictorial imagery related to the city of Charlotte. 


Key Formal Elements:

  • Focal point on the far right with a bright yellow explosion
  • Asymmetrical balance


Make the Connection:

This mural is exploding with symbols. For example, the crown surrounding the bright yellow explosion represents the city of Charlotte’s namesake Queen Charlotte. Can you find one symbol from Charlotte’s past and one from Charlotte’s present? 

Walk back to Trade, right for one block

Title: “Royal Dog” at the Grand Bohemian Hotel park

Location: 201 W. Trade Street

Artist: Charles Strain

Date: 2006

Media: Bronze 

Artist Info: @strain_sculpture


Story: The Grand Bohemian Charlotte hotel opened in 2020 and features art-inspired spaces. This outdoor sculpture was purchased by hotel owner Richard Kessler in 2006 and installed in the outdoor park in Charlotte when it opened. Artist Charles Strain studied art in the Midwest and  Florence, Italy and specializes in casting bronze sculptures.


Key Formal Elements:

  • Free-standing sculpture
  • Organic forms

Make the Connection:

As you peek your way into this lush garden space, you can see that Strain’s abstract form of a dog is centered perfectly at the end of this green. His organic forms recall those of Henry Moore, a famous British sculptor.  The circular nature of the forms is the perfect contrast to the very geometric forms of the garden. What about this sculpture makes this royal? And what about it makes it seem like a dog?

Walk into 227 West Trade Street

Location: 227 West Trade Street inside the Carillon Building

Title: "Cascade"

Artist: Jean Tinguely

Date: 1991

Media: Mixed media


Story: Internationally famous and critically acclaimed Swiss artist Jean Tinguely traveled to Charlotte three times to make sketches, plans, and to execute what would turn out to be his last creation before his death. This dynamic yet controlled sculpture made of machines, junk, chains, lights and most anything else you can think of, is constantly moving and changing. 


Key Formal Elements: 

  • Variety - Assemblage type of sculpture
  • Kinetic 


Make the Connection:

Tinguely uses place as an inspiration. Find the lion’s head plaque. It came from the historic Hotel Charlotte which was torn down to make way for the Carillion Building. 


Fun Fact: In 1988, magician David Copperfield filmed a television special in the building minutes before explosives were detonated and the building collapsed. 


What other elements in the sculpture do you see that connect to the city of Charlotte?

Go to 333 W. Trade

Location: sculpture at 333 West Trade Street

Title: "Zygos" 

Artist: Sally Rodgers

Date: 2007

Media: Stainless steel and granite

Artist Info: www.sallyrogers.net


Story: The word zygos is Greek for joining together in balance and teamwork. This artwork is a joint commission of the Public Art Commission and Axiom Architecture.  Rodgers spent time as an artist-in-residence at the Penland School of Crafts here in North Carolina, and currently lives in state. 


Key Formal Elements:

  • Line - multiple lines and angles create dynamic movement
  • Note the different actual textures of the steel and granite

Make the Connection:

This sculpture is a contrast of circular forms and straight lines. Think about the title of the artwork, “Zygos.” How do those forms influence the meaning of the artwork?

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